August 28th to November 4th, 2020

Odyssey – an Exile Collage

Maya Schweizer & Olaf Metzel

 

An exhibition project as part of Les Parallèles du Sud, MANIFESTA 13, Marseille

 

 

Centre Photographique Marseille
74 rue de la Joliette
13002 Marseille
https://manifesta13.org/fr/projects/odyssey-an-exile-collage/

 

Opening hours: Wednesday to Saturday 2 to 7pm


Odyssey – an Exile Collage

 

“We have lost our language and with it the naturalness of our reactions, the simplicity of our gestures and the relaxed expression of our feelings. [...] Our identity is changed so frequently that nobody can find out who we actually are. [...] and that means the collapse of our private world.”

Hannah Arendt, from: We Refugees , in: The Menorah Journal,
New York 31, 1943, Nr. 1, p. 69 – 77


Olaf Metzel
We Refugees, 2020
Digital print, aluminium, stainless steel
80 x 70 x 15 cm

Courtesy of the artist and Produzentengalerie Hamburg
Photo: Leonie Felle

 

Exhibition text > PDF

 

February 11th to April 9th, 2020 / extended until July 9th, 2020

The Body of Drawing #1- The Touch of Density

James Bockelman, Hanna Hennenkemper, Edgar Knobloch, Anke Röhrscheid, Nora Schattauer

Curated by Hanna Hennenkemper and Ludwig Seyfarth

 

Opening hours: Tuesday to Thursday, 12AM to 7PM
and by appointment


The Body of Drawing #1- The Touch of Density

 

“Independent of any artistic aptitude, a drawing – as the body’s first mark on the paper – most directly embodies the thought.”

Horst Bredekamp, Denkende Hände. Überlegungen zur Bildkunst der Naturwissenschaften, in: Monika Lessl/Jürgen Mittelstrass (eds.):
Von der Wahrnehmung zur Erkenntnis, Berlin 2005, p. 131.


Anke Röhrscheid
untitled, 2016
watercolour on laid paper
210 x 155 cm

Courtesy: The artist and Drawing Room, Hamburg
Photo: Anke Röhrscheid, Frankfurt

 

Exhibition text > PDF

 

November 21st, 2019 to January 16th, 2020 /
extended until January 30th, 2020


Jan Albers

cuttingEdgEs

 

 

Opening hours: Tuesday to Thursday, 12AM to 7PM
and by appointment


cuttingEdgEs

 

“(…) Not by coincidence do Jan Albers’s works oscillate between Nelson Mandela and Ellsworth Kelly. It is precisely this unusual tension between political commitment and spiritual longing that makes his work fascinating and compelling. ”

Kay Heymer, AGGRESSIVE MEDITATION, in: Exhibition catalogue Jan Albers, parcOurs mOrtale, Langen Foundation, Neuss, Berlin 2012, p. 50


Jan Albers
lOngtOm, 2018
platinum glazed ceramics, steel
41 x 25 x 28 cm

Courtesy: The artist and VAN HORN, Düsseldorf, Drawing Room, Hamburg
Photo: Jan Albers, Düsseldorf

 

Exhibition text > PDF